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The thing is, the mere act of trying to make a typically Hollywoodian one-note fairy tale set in the middle of the insane moral morass that is/was the Iraq occupation is both dumber and more arrogant than anything George Bush or even Dick Cheney ever tried. But even by the low low standards of this business, it still manages to sink to a new depth or two. So what exactly should we have expected from American Sniper? Had Eastwood drawn Chris Kyle's home life with the same focus as he did his expert marksmanship, American Sniper would have been a sure-fire hit.Forrest Gump pulled in over half a billion and won Best Picture. Some of us could have used a little more convincing.Ĭooper nails the Texas drawl and makes a compelling patriot, elevating the film beyond ordinary. "I'm so happy I've got my husband back," she says before the film ends abruptly less than a minute later. In fact, other than a brief hunting outing with his son, there's only one scene meant to suggest that Kyle is back to normal: he walks into the kitchen, leading with his gun, pointing it at his wife in a kind of sexy game while the kids play nearby.
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It's difficult enough to nominate a prolific sniper for sainthood without all those bad-boy bragging stories, so Eastwood keeps the story trim.ĭomestic scenes, however, are too brief and provide too little detail about Kyle's journey from professional killer to rehabilitated family man.
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"What haunts me is all the men I couldn't save," he eventually tells a doctor, who points to a hospital hallway full of injured vets who need saving.Ĭhris Kyle's story is less sensational here than in his autobiography - one tale of which resulted in a defamation suit from wrestler/governor Jesse Ventura (now under appeal). The rest of the film deals with Chris' debilitating PTSD. The film excels in these tense battle scenes, the climactic battle in a sandstorm, in particular. He just can't reconcile that with fatherhood and mowing the lawn back home.Ĭhris has an ongoing rivalry with a Syrian national named Mustafa (Sammy Sheik), the enemy version of himself. The dust and the killing leave Chris homesick.
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"Do you want to die? You don't know how to quit," Taya observes. He spends more than a thousand days in enemy territory, forsaking his wife and two kids stateside. Chris becomes the angel of entire platoons on the ground, shooting enemies from nearby rooftops above, and before long he is simply known as The Legend. Plus, he does that trademark good-guy thing of holding Taya's hair back when she throws up all those shots of Jameson.īut one tour of duty turns into two. He meets Taya (Sienna Miller) at a bar and she says what some of the audience is secretly thinking: "You're a SEAL? You're a bunch of arrogant, egotistical pricks." Chris' earnestness about serving his country and Cooper's inherent charm effectively shoots us all down and makes us feel sorry for ever doubting him. No moral complexity here this is about the man, not the conflict.Ī beefed-up Bradley Cooper, who packed on a reported 40 pounds for the role, plays Chris, a cowboy who finds his life's purpose when he enlists. And when a seemingly kind family invites Chris and his fellow soldiers to sit down for a meal, it turns out there is a cache of weapons hidden in the floorboards. In case the viewer has any difficulty rooting for such an expert killing machine, and in a conflict where it's not always easy to distinguish the good guys from the bad, Eastwood makes it simple: the opening scene shows an armed woman, then an armed child, threatening a U.S. Kyle logged over 160 kills during his four tours of Iraq, a record. history, but wisely avoids politicizing the history of real-life Navy SEAL Chris Kyle. In American Sniper 84-year-old director Clint Eastwood tells the story of the deadliest sniper in U.S. "I have a very strict gun control policy: if there's a gun around, I want to be in control of it." - Clint Eastwood.Īmerican Sniper.
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